Images of Krishna stealing the clothes of women when they bathed in the river and they begging Him to give their clothes back, have been imprinted onto the minds of many with the colourful stories woven around them.
This scene has been ridiculed by many and some have even derogatorily mentioned it as being voyeuristic. This incident warrants a philosophical look in.
Krishna’s Jala Kreeda, a popular illustration
The word Kreeda means play, game, sport. The word Jala normally means water. The word Jala can also be split into two where ja stands for jananam, “birth” and la is for layam, “to melt”, that which leads to pralayam, “dissolution”.
Jananam and Pralayam, form a rhythm, a cycle that is represented by each and every body in the Universe. The meaning and concept of pralayam is explained in our book “UnderstandingShiva”.
From origin to dissolution, everything is shrouded in maya, illusion.
It is in this play, jalakreeda, a play with the word jala, that Krishna helps remove the shroud of maya from our minds, enabling us to see the real play from ja to la, from origin to dissolution. It is this whole play from ja to la which is the real ja-la-kreeda. The setting for this was with the Gopi.
The Gopa and Gopi
The word Gopa comes from Go and Pa. Go stands for “cow” and Pa for “one who looks after”, “nourishes”. Gopa literally means “cowherd”, one who tends to cows.
From another perspective, Gopa also implies one who cherishes knowledge. This again comes from the roots Pa to “cherish”, “nurture”, “look after” and Go which also means knowledge. Gopi is the feminine gender of Gopa.
Gopi is also explained from the root Pi, as one who is drunk, consumed by the thirst for divine knowledge, Go.
Gopa and Gopi, the cow-herd folk, constantly sought Krishna out, surrounded Him and relished spending time with Him. The Gopa and Gopi, their yearning for and cherishing of Krishna, signify symbolically every soul’s yearning, thirst and cherish for true knowledge, symbolized by Krishna.
In recent years however, based on looking at the poetic descriptions of such Lila at a superficial level, for just the literal meaning of the words used, some have loosely cast the image of Krishna into the mould of a young man who flirted with the Gopi.
The Raslila dance stands as a metaphor for the emotions of single minded love, devotion and unification with the divine that prevailed in the seeker, the simple Gopi.
The Krishna, Gopi and their Jalakreeda also provide an intrinsic insight into the kreeda or interplay in the Universe at an ethereal level.
The whole Universe itself is the twinning of the two – the gross and the subtle. The Lila of Krishna, gain relevance, meaning, significance when one elevates one’s thoughts from the gross, physical level to the subtle, ethereal level. It is the twinning of the two that will help us recognize and realize reality.
Let us this Jala Kreeda Ekadasi recognize this subtle aspect of Jala Kreeda of Krishna.
[This is an extract from our to be released book on Historical Krishna.]